ELLE VAIS PLANTER SES CHOUX
The project unfolds through images exploring elegance as a silent, structuring principle. It blends symbolism, geometry, and light, reinterpreting the rhythms of the vegetal world and organic forms, as in Horst’s Patterns from Nature (1946), deconstructing them to reveal elegance and harmony as universal principles. Attention to surfaces, latent geometry, and the tactile quality of materials continues Horst’s exploration of the interplay between body, light, and form.

SOTTRARSI
This project, born from the collaboration with Agnese Reitano, stems from a shared dialogue on elegance as a timeless form. The artists depict a figure that escapes fashion to inhabit a space of lines, volumes, and silences. The body becomes structure and plastic form, not a subject to describe but to contemplate. The images balance formal rigor and intimacy, fashion and abstraction, construction and sensitivity. Elegance emerges through subtraction, from what remains when all superfluous is removed.

RICERCA DI UN’ALTRA COSA
The project explores the relationship between fashion and elegance as expressions of time and perception. Through three images, the female figure, fabric, and demijohn interact without hierarchy, transforming simple objects into instruments of beauty and form. Fashion emerges as an act of creation, elegance as perceived sensitivity. The cycle of draping and removing fabric reflects the ephemeral nature of fashion and the enduring essence of elegance.

CIÒ CHE RIMANE
Through three photographs, the narrative unfolds as a gradual departure from appearance, investigating what, within the image, can aspire to a form of permanence. The human body becomes the starting point: an essential presence, isolated in a neutral space, defined by light rather than identity. Light progressively alters its stability, dissolving it into an abstract presence, suggesting an idea of elegance understood as measure, control, and permanence beyond time.

NINFA
The project explores the decay of time and the nostalgia for a past never lived. In a present that fails to inspire wonder, the nymph becomes a metaphor for fragility and purity, sheltered yet confined by tulle. The garment transforms into both armor and means of expression, blurring the line between reality and artifice, with an aesthetic inspired by Horst’s sculptural muses.

IL DOPPIO GIOCO DEL RIFLESSO ETERNO
Through mirrors and trompe-l’œil, the subject emerges from nothing, doubling and transforming as a metaphor of time. What belongs to a fleeting, irretrievable moment—like our reflection—becomes a symbol of crystal-like suspension. What the reflection cannot make eternal, photography achieves, using doubles, drapes, and lines that fragment and reshape the image.

Open call for photographers under 30 | Applications open until February 1, 2026

Are you between 18 and 30 years old, and is photography your passion? Participate in the open call by Le Stanze della Fotografia Foundation!

Participation in the open call is completely free and open to everyone, whether professionals or photography enthusiasts. Participants are required to produce three photographs that tell a story inspired by the figure of Horst. P. Horst and the themes of the exhibition project. The works should create a narrative starting from the following quote by Horst P. Horst:

“Fashion is an expression of the times. Elegance is something else.”

To participate, it is necessary to publish the three required photographs on one’s personal social media channels (Facebook or Instagram), tagging the official account @lestanzedellafotografia and using the reference hashtag #opencallstanze26.

The same photographs must then be sent by email to This email address is being protected from spambots. You need JavaScript enabled to view it. in high resolution and JPEG format, together with a project synopsis, a short biography of the author, and the signed release form attached to these regulations. The subject line of the email must include the participant’s first and last name followed by “open call giovani fotografi”.

Submission via email and publication of the photos on social media profiles will be accepted until 11:59:59 p.m. on February 1, 2026.

Each participant may enter the contest multiple times (with three photographs per entry), but may only be awarded one of the available prizes.

From the selection of works, the jury will identify between 4 and 6 finalists, whose names will be announced during the press conference for the presentation of the exhibition Horst P. Horst. The geometry of grace at Le Stanze della Fotografia, scheduled for February 20, 2026. The finalist works will remain on display until the close of the exhibition, scheduled for July 5, 2026.

Subsequently, the works will also be presented at the Le Stanze della Fotografia booth at MIA Photo Fair in Milan, taking place from March 19 to 22, 2026. On this occasion, fair visitors will be able to cast their vote. At the conclusion of the fair, the three winners will be announced, and their works will be marked with a label inside Le Stanze della Fotografia.

The jury reserves the right not to award all the prizes, should the submitted works not be deemed worthy. The jury’s decision is discretionary and final.

The works presented will be evaluated by a jury of excellence, composed of: Denis Curti, co-curator of the exhibition; Gert Elfering, owner of the Estate Horst P. Horst; Francesca Malgara, artistic director of MIA Photo Fair; Francesca Marani, Senior Photo Editor of Vogue Italia; and Anne Morin, exhibition curator and director of diChroma Photography.

The jury will assess the works based on the following criteria: creativity, originality, photographic quality, and adherence to the theme.

Curated by Anne Morin in collaboration with Denis Curti, the Horst P review. Horst. The Geometry of Grace offers an original and transversal reading of the work of the German-born American photographer, restoring its complexity beyond the fashion photography that made him famous in the pages of Vogue.

The exhibition brings together over 300 works, many of which are now being presented for the first time, color photographs, which arrive in Italy on this occasion, displayed alongside vintage prints, drawings, documents, and previously unpublished materials, inviting us to discover an artist who transformed photography into a reflection on harmony, proportion, and beauty as a balance between parts and the whole.

Far from mere aesthetic exercise, Horst conceives the image as an architecture of forms and light, a language that is both rigorous and sensual. His photographs, constructed according to precise proportional relationships, refer to that search for perfection that runs through the history of art, from Fidia to Le Corbusier, his teacher during his Parisian years.